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Menu

Karen Cornelius

Printmaker
  • Home
  • About
  • Shop
    • Shop Home
    • Give Me a Sign
    • Struggle Within Tiamat
    • Growing Going Gone
    • Fabric of Belonging
    • Inside Outside: The Parka Experience
    • Fading In And Out of Glory
    • Congo Grimm
    • Chinese Zodiac Series
    • Rainforest Green
    • Hoh Rainforest
    • Wild Beauty at Risk
  • Portfolio
    • All Collections
    • Fabric of Belonging
    • Displacement
    • Consequence of Experience
    • SUGAR
    • Give Me a Sign
    • Outside Inside
    • Entangled Garden
    • Congo Grimm
    • Struggle within Tiamat
    • Growing, Going, Gone
    • Altered Landscape
    • Hound
    • New Page
  • Residencies
    • Guanlan Printmaking Base
    • St. Michael's Print Shop
    • Canary Islands
    • Deep Bay
    • Ulukhatok
    • Martha Street Studio
    • Morocco
    • Hong Kong
    • New Page
  • International Collaborations
    • In Your Dreams
    • Trinidad and Tobago
    • International Print Exchange
    • New Page
  • Community Collaborations
    • Artists in Schools
    • Youth WITHART 2018
    • Youth WITHART 2015
    • Eritrean Video Art Project
    • Canadian China Student Exchange
    • First Nations All Nations: Setting the Table
    • Letters to our Children
  • Exhibitions and Events
  • Contact

Give Me a sign

Shop this series
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Give me a Sign

Signs are used to communicate, inform, advertise or warn. At times the message can puzzle the viewer, or give one pause, make you smile or laugh out loud.

Cornelius photographs signs from places that she has have been from the High Arctic to Northern Manitoba to China and the Congo. She collects signs that provide a glimpse of another place.

When viewing a sign we take for granted our own cultural bias that is influenced largely by the place and people where we live.

When confronted with a sign that challenges our version of the world it provides an opportunity to reflect on and evaluate our perspective.

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Alumigraph Printmaking

The alumigraph is a collagraphic process, where the plate is built up on a strong support surface rather than etched into metal. Textured material such as sand paper and lace can be incorporated into the image.

Once an image is created, heavy-duty aluminum foil is adhered to the surface using acrylic gel medium. The plate is then inked intaglio, which means that the ink is rubbed into the lines and texture of the plate and removed from the surface of the plate.

The plate it then run through a hand operated etching press with a piece of 100% rag etching paper on the surface. The pressure of the steel roller and the steel bed transfers the image to the paper.